betty & barney

betty & barney

betty & barney

April 1 through November 2, 2026

 

On the night of September 19, 1961, Betty and Barney Hill drove through New Hampshire’s White Mountains on their way back to Portsmouth from their honeymoon trip to Niagara Falls and Montreal. On Route 3, near Franconia, they saw a light in the sky.
 

Their world, and ours, was never the same again.

While the Hills rose to fame due to their tale of alien abduction and subsequent influence on pop culture, the Hills’ impact reaches far beyond the extraordinary events of that night. As Portsmouth residents, civil rights activists, and community leaders, Betty and Barney Hill were part of a powerful and often overlooked chapter in local and national history.

 
Betty and Barney Hill in their Portsmouth living room, mid-1960s. Betty and Barney Hill Papers, Special Collections and Archives, UNH Library.

Portsmouth Citizens & Civil Rights Champions

While their abduction captured headlines, the Hills were deeply engaged in the real-world struggles of their time. The Hills were both activists and public speakers on topics surrounding civil rights, working tirelessly to effect change in their home city. Barney served as the legal redress officer of the Portsmouth branch of the NAACP, working to end racial discrimination, including joining a lawsuit against a barber who refused service to a Black customer. Betty was a social worker and active member of South Church for decades after Barney’s death. Their activism helped shape a more equitable Portsmouth.

Betty and Barney Hill with a copy of The Interrupted Journey by John Fuller. Look Magazine, October 1966. Betty and Barney Hill Papers, Special Collections and Archives, UNH Library.

From Personal Experience to Pop Culture Phenomenon

The Hills’ story changed lives and helped shape the cultural imagination of a generation. The Hills’ narrative of their abduction and descriptions of their captors influenced how aliens were portrayed in science fiction for decades. After the release of Close Encounters of the Third Kind in 1977, the imagery from their story became cemented in popular culture and fueled a growing fascination with the unknown.

 
Movie poster for Close Encounters of the Third Kind, Steven Spielberg’s 1977 alien blockbuster film.

A Reflection of the Times

The Hills’ experience reflects a pivotal cultural shift. As trust in government institutions eroded during the 1960s, their story became a touchstone for Americans increasingly skeptical of official narratives. It reveals how we can be drawn toward the unexplained in a search for answers and agency.
 
David Baker’s illustration of what the aliens encountered by the Hills looked like from Betty’s description. Betty and Barney Hill Papers, Special Collections and Archives, UNH Library.

The Importance of Archivists

Archival, acid-free Hollinger file storage boxes, an archivist’s best friend.

Thanks to the careful preservation of the Hills’ personal papers by their family and dedicated archivists, we can explore their story in full complexity. These documents, recordings, and objects remind us that even the most contested or unbelievable narratives can carry deep cultural value.

By examining their lives, we gain a better understanding of where we’ve been, how far we’ve come in our ongoing fights for justice, and how vital it is to preserve stories that challenge our understanding of truth, memory, and identity.

Young Artists Contest 2025

Young Artists Contest 2025

Young Artists Contest

This year’s Young Artists Contest draws on works from “Cabot Lyford: Winds of Change” as well as “Contemporary Currents.” There are also some submissions from our After-School Art program! This program encourages budding artists to draw on our show for inspiration to create their own art!

Submissions are closed for this year. A winner and an honorable mention were chosen for each age division in the categories of writing and visual art.

All submissions are on display at Portsmouth Historical Society, but you can also see and read them below!

2025 Winners

Ages 7–10

Breslin M.
Froggin’ Around
Winner, Visual Art
Inspired by Croaker by Cabot Lyford

Eleanor T.
Keep It Clean
Winner, Writing/Mixed Media
Inspired by Portsmouth by James Wolcott

Juliana C.
View from the Window Pane
Honorable Mention, Visual Art
Inspired by Whose Woods These Are by Jane Copp

Jolene N.
Freedom
Honorable Mention, Visual Art
Inspired by Coming Down Off the Mountain in Sunset by Darlene Furbush Ouellett

Claire F.
The Rainbow Ball
Honorable Mention, Writing/Mixed Media
Inspired by Tattooist’s Heaven by Cabot Lyford

Ages 11-14

Alice T.
Save the Horseshoe Crabs
Winner, Visual Art
Inspired by Halibut by Thomas Berger

Reid W.
Shattered
Honorable Mention, Visual Art
After-School Art Student

Lilly R.
Breakfast

Honorable Mention, Visual Art
Inspired by Pounce 3 by Cabot Lyford

Ages 15–18

Isabella L.
Sirens
Winner, Visual Art
Inspired by Tattooist’s Heaven by Cabot Lyford

Creative Writing

Gabriella C.
What Lies Beyond the Creek
Winner, Writing
11-14 years old
Inspired by Whose Woods These Are by Jane Copp

The forest was calm. The water in the creek flowed peacefully, the birds chirping on occasion. The trees have all blossomed, blocking the distant view of the busy street. For once I was able to think, soak in nature and take a deep breath, letting the moist spring air fill my lungs. The creek creates a break in the trees, allowing sun rays to light up the water, giving me a glance at the forest’s true beauty. The stones have history, through years of being delicately weathered, and carved by the world around it, they hold a purpose by directing which way the streams trickle down, or what path a passing fox takes to reach the other side. 

My head was quiet, I was able to rest without worrying about every little trembling bush or a small rock moving towards me down the creek. But then a loud plane flew by reminding me I’m only in a small oasis surrounded by a never ending desert that is our world. It only takes that little reminder of reality to make my muscles tighten and turn my brain back on. The voice in my head started talking, the rock I’m sitting on began to hurt, even the bumble bee floating from flower to flower startled me. 

Suddenly a splash in the creek put my worries on hold. The small ray of sun only lit up about ten feet in front of me, leading to a void of darkness beyond the light. I sat up from my perch on the rock and headed toward the splashing. My feet clung to the rocks, holding onto the firm texture of nature. As I got closer, the branches blocked the warm sun making it darker with each step forward. It took a moment, but as my eyes adjusted I could see much further than on the other side of the creek. With each second my vision became clearer. I could now see each of the delicate leaves blowing gently in the breeze and the dew drops sliding off of them. 

My feet were now fully under the shallow water, feeling the soil beneath me. I paused for a second, realizing the splashing had stopped. The only noise was a peculiar toad croaking beside me on a short stick floating around the water. Just then, a couple drops of water splashed my leg, causing the water to ripple against me. I jerked my head towards the splash. A fallen log sat at the edge of the creek, held in place by the trees around it. I breathed as quiet as I could, trying not to scare whatever was lurking. I stepped closer. The earthy smell of the forest growing stronger as I inched towards it. The trees in this part were small, having likely sprouted just a few summers ago. 

The branches shook the slightest bit. I reached in my pocket, navigating my fingers through the fabric until I found a small camera I had stored there, just in case. I pulled the camera out, angling it towards the noise. I pressed a button. The dark trees became bright, but only in the small yellow light my camera was capable of. The bush crinkled again. I pointed my camera towards it. I stood there for a second, squinting my eyes, adjusting the light, waiting for the inevitable. 

Out of nowhere a dash of brown fur flew towards me. It went just over my shoulder, startling me into nearly dropping my camera. I quickly turned around, afraid of what I would see. The creature landed in the water, skirting to a stop and splashing droplets behind it. Its head faced me, eyes twitching uncontrollably. It was similar to the shape of a pet rabbit but had small antlers just a shade darker than its fur. It was small, no larger than a stone back in the sunlit part of the creek. It had dark bat-like ears, partially bitten off, and a huge scar across its face. The creature’s claws inched closer to me, which seemed to be getting deadlier the more I stared at them. Its front legs were short and stubby, while the back legs were slightly longer to high jump in order to attack its prey– which just so happened to be me. The creature’s claws were now scratching at the sand, preparing to leap. 

Then it did. 

Its claws extended as it flung towards my face. I took a photo. I leaned back. I saw it fly over my head. Its short legs flung through the air. I fell. The cold water hit me. I felt fur. I whipped around, seeing only a glimpse of it dashing into the depths of the forest. 

I stood up. My clothes were now soaked in muddy creek water. I tried my best to wipe it off but my natural instincts kicked in after a few seconds, forcing me to run back to the light. What was that? I thought, looking back every so often. Once I made it to the warm sunlight, I checked the camera. On the little screen was a monster– Clear as day, seconds from hitting my face. My heart skipped a beat, knowing that whatever it was, is still lurking, Waiting for its next victim.

River M.
The Adventures of Danny and Croaker
Honorable Mention, Writing
11-14 years old
Inspired by Danny and Croaker by Cabot Lyford

Danny and Croaker became best friends when they met at The Goat, drinking whiskey (Or ginger ale) and instantly bonded over their love of $.25 wings and trivia night. They bonded together so well that Croaker asked “do you want to go on an adventure?” And Danny said “YES, YES, YES!” So they hopped on a boat and sailed over to Badger’s Island.

While they were on the boat, they found a small snack bar, bought some chips, and a package of gummies. Danny ate the chips and Croaker had the gummies because he said sugar makes him “think faster.”

When they got to Badger’s Island, they saw a sign that said, “Find the Treasure of Badger’s Island!” Croaker and Danny looked at each other excitedly and Danny said “let’s gooooooooo!” and they ran off to try to find the treasure. 

They looked all around Badger’s Island and everywhere they could imagine. They looked under rocks and around the shoreline but after a few hours, they were getting discouraged. Danny said “I think this was a prank, Croaker” but Croaker didn’t think so. They kept looking and they found some smaller items like a lobster claw and a tin can that Danny threw away because… ew… no one wants a tin can. But, sadly, still no treasure.

Danny and Croaker decided to look around Badger’s Island one more time. They looked everywhere they could. Finally, there it was, a huge treasure chest in a big tree! Croaker jumped on Danny’s back to get the chest down. Once they retrieved the chest, Danny opened it. There were lots of gold coins and coupons for free ice cream!

Danny and Croaker started dancing around with happiness. Then, before anyone could see what they found, they grabbed their chest and sailed back home to the Portsmouth Historical Society. And ate lots and lots of ice cream, of course!

Isabella L.
The Sound of Summer
Winner, Writing
15-18 years old
Inspired by A Man Alone by Cabot Lyford

A high-pitched buzz fills the hot air
Only in the summertime does this noise fill my ears
Do you hear what I hear?

I ask my friend
They nod, very sincere
“Loud and clear.” 

This noise tells me that summer is here
Where does it come from?
It is not clear
from which I hear
The buzzing that is near

My friend cannot put a finger on it
And neither can I
Is this noise just simply
All in my mind? 

But no
It can’t be
My friend heard it too
But oh, there it is
Again it looms

A high-pitched buzz fills the hot air

Our Young Artists Contest will be open next April with our 2026 Exhibition!

Contemporary Currents

Contemporary Currents

Marbled background with contemporary current on it.

April 4 —November 15, 2025

Portsmouth Historical Society is once again joining forces with New Hampshire Art Association in 2025. This exhibition will be a contemporary response to the themes addressed in “Winds of Change,” the retrospective of Cabot Lyford opening through November 2, 2025.

Originally incorporated in 1940, New Hampshire Art Association (NHAA) is a 501(c)(3) nonprofit contemporary arts organization dedicated to presenting and supporting emerging regional art and artists in New England. In 1990, the NHAA opened its doors in Portsmouth, New Hampshire at 136 State Street. Thanks to philanthropists, lenders, and leadership who recognized the need for a community space to support the visual arts.

The call for art for “Contemporary Currents” will focus on the themes of experimentation and advocacy through art, major themes addressed in “Cabot Lyford, Winds of Change” on the ground floor.

More than forty artists from across the Seacoast and the state of New Hampshire have work on display in the balcony gallery in an astonishing range of media, techniques, and topics. All the works are available for purchase to benefit the New Hampshire Art Association, Portsmouth Historical Society, and most of all, the artists!

Judges’ Awards

As part of the jurying process, our three judges also chose three winners as well as three honorable mentions. The winners were awarded a monetary prize generously donated by the Puddle Dock Restaurant

Tom Berger

Halibut

Styrofoam, Aqua-Resin, spackling, Sculpey modeling clay, primer, paint, 24k gold leaf, lacquer

25 x 55 x 6 inches

$2,800

 

Link to purchase

🌐 www.thomasbergersculpture.com

 

Lyford would have enjoyed this monumental, naturalistic sculpture of a flatfish that embodies his interest in unusual materials as well as animal forms (see his frogs, chickens, crabs, cats, and other forms downstairs).  Halibut, massive in appearance, is actually relatively light in weight.  Its large core is fashioned from Styrofoam coated with Aqua-Resin.  Some of the details are cut with a woodburning tool, while the scary teeth are modeled in polymer clay. The bulbous, protruding eyes are colored with gold leaf, paint, and lacquer.  In all, the work is an extraordinary tribute to a once-common but now endangered species.

 

Known for his direct carving of granite and other stones, Lyford would perhaps have been attracted to this view of a hard-working man’s outstretched hands holding shards and chips of a white stone.  One perhaps first notices that these are roughened, callused hands, clearly used to demanding physical work of the kind necessary to create Lyford’s characteristic monuments and sculptures.   A closer examination reveals that the person in the image is missing the index finger on his scarred right hand, testimony to the inherent dangers of hard manual labor.

Tom Cawthon

Hands of Stone

Giclée on fine art paper printed with archival inks

16½ x 24 x 1½ inches

$425

 

Link to purchase

🌐 www.tomcawthonphotography.com

 

Here, the artist has painted a landscape on fire, seen through a window, evoking the wildfires that have plagued California and other areas in recent years. A closer look indicates that the fire is moving inside (as the curtains have begun to ignite) and causes us to recognize the fact that some issues (well beyond wildfires) can occupy both inner and outer mental and physical spaces, and that, upon reflection, many problems that we think are only external can also be internal as well. Lyford would have enjoyed the powerful, yet subtle, thought-provoking nature of this work.

Krysten Marche

Domestic

Acrylic on canvas, handmade frame

36 x 36 x 2 inches

$2,800

 

Link to purchase

Marilene Sawaf

Currents of Life through Sea, Nature, and Music

Casein, claybord, gold leaf, glass, metal, resin, gold metal

30 x 24 x 2 inches

$3,500

This striking painting makes use of gold leaf, resin, metal, and glass, as well as acrylic and casein paint, to create a powerful, dramatic image that is a swirling symphony of color, figures, action, and massing.  It relates well to Lyford’s interest in experimentation, diverse materials, and bold imagery.  

 

Link to purchase

 

🌐 www.marilenesawaf.com

Beneath the abstract colorful appearance of this collage is a more sinister message. The small dots that appear to float in a waterscape are, on reflection, suggestions of the microplastics that are found in abundance in the ocean and that we ingest on a regular basis. Lyford was an advocate for protecting the environment and might well have been delighted with this subtle, yet powerful, condemnation of our reckless attitudes toward Nature.

🌐 www.joannadinolfi.com

IG logo @joann_adinolfi

FB logo @JoAnnAdinolfiStudio

JoAnn Adinolfi

Plastic Currents

Digital photographic collage

20 x 16 inches

$250

 Link to purchase

Maria Oakley

Absolutely Nothing

Mixed media

20 x 16 x 2 inches

$850

Link to purchase

IG logo @mariapoakleyart

At first glance, this painting appears to be a colorful, pleasing landscape of clouds, mountains, and people.  A closer look reveals that the clouds are mushroom clouds, the figures are armed soldiers, and that little, three-dimensional toy missiles are raining down from the sky.  With its combination of high aesthetic quality, use of a variety of materials, and underlying political message (also conveyed by its title),  Absolutely Nothing is a worthy contemporary evocation of Cabot Lyford’s commitment to experimentation and anti-war sentiment.

Thank You to Our Sponsors

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Celebrating Preservation: Fresh Paint Transforms John Paul Jones House

Celebrating Preservation: Fresh Paint Transforms John Paul Jones House

Before (left) and after (right) of the ceiling in the offices at the John Paul Jones House.

Before (left) and after (right) photos of the restoration work at the John Paul Jones House.

“Watching paint dry has been one of the best things to happen at the John Paul Jones House since the fall, and that’s not because we are closed for the season, but because of how anticipated this much-needed preservation work has been,” said a member of the organization.

The Portsmouth Historical Society is proud to announce the completion of a significant interior restoration project at the historic John Paul Jones House, made possible by a $5,000 grant from Americana Corner’s Preserving America program. This grant has funded the painting of five rooms within the historic 18th-century property, serving as an act of stewardship for this National Historic Landmark.

The John Paul Jones House, a stately Georgian structure erected in 1758 for Gregory and Sarah Purcell, stands as a testament to the rich history of Portsmouth. During the American Revolution, John Paul Jones, the celebrated naval hero, may have rented a room here in 1777 when it was operated as a boarding house. The property exchanged hands several times before finally becoming a museum operated by the Portsmouth Historical Society in 1920.

The recent restoration addressed the challenges of time and climate on the house’s interior. “Humidity has been our greatest adversary, leading to deteriorated paint exacerbated by the home’s age, alongside damage from past leaks,” explained Molly Liolios, Collections Manager. Douglas Grant Painting undertook the restoration work, sanding the old chipped paint, making necessary patches, and applying fresh paint to the rooms.

“Visitors to the John Paul Jones House will no longer be distracted from the incredible history and material on display by peeling paint. I can’t wait to welcome people back once we open Memorial Day Weekend,” said Jessica Kliskey, John Paul Jones House Site Manager, expressing her excitement for the reopening.

The Portsmouth Historical Society thanks Americana Corner for their support in preserving a critical piece of America’s heritage. The public is invited to witness the transformation of the John Paul Jones House when it reopens for the 2025 season on Memorial Day Weekend.

ABOUT PORTSMOUTH HISTORICAL SOCIETY

The Portsmouth Historical Society’s museums and programs connect the community to our past, present, and future through collections, interpretation, education, and preservation. It operates two facilities: the Welcome Center and Galleries and the John Paul Jones House. The Portsmouth Historical Society serves as a cultural hub for Portsmouth, providing visitors and the community with rotating exhibitions, dynamic programming, historic walking tours, and a museum shop of unique Portsmouth gifts and books. Located at 10 Middle Street, they are open daily from 10am-5pm, from April through December. For further information, please call 603-436-8433 or visit PortsmouthHistory.org.

About Americana Corner

Americana Corner was founded by Tom Hand in 2020 as an online resource to help others rediscover America’s incredible founding and first century of expansion. From the American Revolution to the settlement of the American West, from the Declaration of Independence to the Emancipation Proclamation, and from George Washington to Abraham Lincoln, Americana Corner contains positive stories of the great events, founding documents, and inspirational leaders who helped create and shape our country. Perhaps most importantly, Tom discusses why these events and people from so long ago still matter to us today.

It’s a Gingerbread Wonderland at the Portsmouth Historical Society

It’s a Gingerbread Wonderland at the Portsmouth Historical Society

Adult Award Winners

The winners of the Adult Category, Alex Lewis and Ali White, and their ribbon-winning entry Greenhouse at Snug Harbor Farm.

It’s a Gingerbread Wonderland at the Portsmouth Historical Society

The holiday season has arrived and with it comes the Portsmouth Historical Society’s 34th Annual Gingerbread House Contest and Exhibition. 

On Friday, December 6, at the Gingerbread Reception and Community Judges’ Awards, the following edible creations have emerged victorious:

    • AdultGreenhouse at Snug Harbor Farm by Alex Lewis, Ali White, Doreen Lewis
    • Multi-Generational- Bus Adventure by The Reisdorfs
    • Teen- Winter Wonderland by Elin Maffee and Zola Pezzetti
    • Youth- Puddle Dock Barnyard by Cole Dinulos
    • Business or Organization- Holiday Bed and Breakfast by Libby Giordano for Make-A-Wish New Hampshire
    • Best in Show- North Pole Gingerbread Factory also by Libby Giordano

This year’s panel of community judges was made up of representatives from the New Hampshire Art Association, The City of Portsmouth, and Portsmouth Chamber of Commerce along with exhibition sponsors Kennebunk Savings, Avery Insurance, Bangor Savings Bank, EnviroVantage, and Devine Millimet. Their expertise and discerning eyes have been instrumental in recognizing the outstanding talent on display.

An additional award, determined by museum staff, for Best First-Time Entry went to Christmas at the Greenhouse by Linda Roth. 

“Once again all the museum visitors and staff are blown away by the creativity, skill, and joy behind so many of the gingerbread entries. We love to welcome back past contestants and to be wonderfully surprised by new entrants. As we congratulate our winners, we are so appreciative of everyone who enters and helps make this holiday exhibition possible,” said Sarah Robbitts-Terry, Director of Community Engagement.

There is still time to make your voice heard in the People’s Choice Awards for Most Whimsical, Most Creative Material, Best Attention to Detail, and Best in Show. Voting concludes on December 18. 

In addition to viewing the gingerbread houses, guests are encouraged to attend the many events that celebrate the festive season including Gingerbread Tips & Tricks Tours on Friday December 13 and 20 at 5:30 p.m. and the Festive Favorites Cookie Swap on Saturday, December 14 at 1 pm. 

The Gingerbread exhibition at Portsmouth Historical Society is an ideal outing for families, friends, and enthusiasts of all ages seeking to immerse themselves in the holiday spirit. The Society features a well-curated gift shop perfect for holiday shopping. The Portsmouth Historical Society is open daily through December 30 from 10 am to 5 pm with free admission.